Artists
All artists participating in Nought to Sixty.
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Nina Beier and Marie Lund
Beier and Lund present a trilogy of works that interrogate the social fabric and institutional culture of the ICA.
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Juliette Blightman
The quietness and simplicity of Blightman's work serves to frame spaces and to mark the passing of time.
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Erik Blinderman and Michael Eddy, Jonty Lees, Alastair MacKinven
Invited artists Erik Blinderman and Michael Eddy, Jonty Lees, and Alastair MacKinven are presenting a two-day project centred on the contemporary relationship between performance and photography.
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Brown Mountain College
Brown Mountain College of Performing Arts' activities emphasise interdisciplinarity and collaboration.
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Andrea Büttner
Büttner works in a variety of media, sometimes using old-fashioned items such as woodcuts and pressed flowers, and is especially interested in the area where art and religion overlap.
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Aileen Campbell
Campbell's work demonstrates an investigation into the voice's connection to the body.
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Duncan Campbell
Archive footage reused to make dense social and historical narratives.
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Nina Canell and Robin Watkins
Canell and Watkins have made a new gallery-specific installation, bringing together a number of recent works to form a sculptural whole.
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Kim Coleman and Jenny Hogarth with Boyle Family
Coleman and Hogarth work collaboratively, placing emphasis on the participatory and performative aspects of art practice.
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Stephen Connolly
Connolly is an artist filmmaker whose work adopts the investigatory and archival conventions of documentary.
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Mike Cooter
Multimedia installations pinpoint collisions between the world of TV and cinema and that of 'real' human behaviour.
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Matthew Darbyshire
Darbyshire gives the ICA's public spaces the coloured lighting schemes of other public, retail and corporate spaces from across London.
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Sean Edwards
Edwards investigates the sculptural potential of the everyday, often using remnants of previous activities as his starting point - including found or borrowed objects, bits of other works and studio knickknacks.
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ELECTRA
A contemporary art agency whose wide-ranging activities span commissions, facilitations and production in addition to its curatorial and educational roles.
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Redmond Entwistle
Entwistle's work employs documentary and abstract modes of filmmaking, often investigating histories of social displacement.
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Ruth Ewan
An ongoing collaboration with a London busker.
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Freee
Freee's polemical slogans and attitudes find their expression in a variety of media and space.
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Maria Fusco
Fusco is a writer, as well as the editor of The Happy Hypocrite journal.
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Babak Ghazi
Ghazi invokes the shifting territory of selfhood, and the borderline areas of public imagery that are at once superficial and politicised.
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Guestroom
Guestroon create communities by inviting other artists and cultural practitioners to take part in their projects.
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Seamus Harahan
Harahan's work uses video footage of the urban environment, its incidental detail and fugitive nature.
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Hardcore Is More Than Music
Nendie Pinto-Duschinsky and Nina Manandhar have collaborated on a series of varied and hybrid collaborative activities since 2002.
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Emma Hart and Benedict Drew
Collaboration, playfulness and the structure of film are at the core of Hart and Drew's series of new works.
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Alexander Heim
Heim addresses intrusions into urban life where animals, processes and chance routines create self-sustaining pockets of otherness.
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Iain Hetherington
Hetherington's paintings are satirical portraits of 'cultural workers' and play on artistic conventions and on notions of political correctness.
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Will Holder
Holder is an artist, designer and editor whose work investigates the gap between language and object.
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Andrew Hunt
Writer and curator Hunt organises a special weekend event comprising of a series of actions, working with artists Blinderman, Eddy, Lees and MacKinven, to create a multi-layered project.
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The Hut Project
The brainchild of artists Chris Bird, Ian Evans and Alec Steadman, The Hut Project takes a wry look at the art world through events which employ surprising conceptual strategies.
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Fiona Jardine
Installations using sculpture, drawing and photography.
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Jeffrey Charles Henry Peacock
A venue without a space, operating through instructions and invitations disseminated by post and email.
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Jesse Jones
A new film work by Jones looks at the history of Marxism to the ghostly strains of the Internationale.
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Junior Aspirin Records
The home of a range of performers whose work moves between the worlds of art and music.
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Anja Kirschner and David Panos
Kirschner and Panos' Trail of the Spider addresses themes of class conflict and displacement through the transposition of the Western genre onto contemporary London.
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Thomas Kratz
Kratz works across different media, playing with the iconography of art in an often visceral manner.
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Torsten Lauschmann
The technophilia of the amateur inventor, and the aesthetic of glitches.
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Lorna Macintyre
Macintyre's practice combines photography and sculpture, drawing both on simple and formal processes and on the heady language of nineteenth-century Symbolism.
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Alastair MacKinven
MacKinven's humour satirises the value systems of the art world, whilst wryly deflecting to a more corporeal practice of involuntary evaluation.
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Macroprosopus Dancehall Band
A thirty-piece band, with scores are influenced by the mathematics of insect formations.
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Ursula Mayer
Mayer's films consider the representation of women through the twin poles of classical Hollywood glamour and the Modernist avant-garde.
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Matthew Noel-Tod
Questioning how cinema mediates our lived experience.
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Open Music Archive
Recording out-of-copyright music with new artists.
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David Osbaldeston
Osbaldeston’s work is concerned with the production, positioning and reception of art.
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Garrett Phelan
Sources of sound literally and metaphorically buried, using paint and cement.
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Gail Pickering
Tableaux vivants combining historical and modern references.
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Sarah Pierce
Pierce – who since 2003 has operated under the heading The Metropolitan Complex – works in a number of discursive formats, often incorporating the personal and the incidental.
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Clunie Reid
Clunie Reid uses cheap material and gaffer tape to create aggressive and rampant photo-collages.
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James Richards
Richards works with an archive of video footage that he scavenges and remixes.
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Hannah Rickards
Rickards' work shifts between different modes of perception and representation - including the linguistic, the visual, the natural and the artificial.
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Ben Rivers
Rivers’ films focus on lives led at one remove from society, commenting on the desire to achieve liberty through the simplification of lifestyle.
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Giles Round
Round’s installations fuse modernist sculpture and design – and the trappings of bourgeois living – with the hedonism of music sub-cultures.
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Alun Rowlands
Researching failed utopian projects for political fictions.
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Support Structure
Developing relationships with people and organisations, engaging with spatial experimentation and research.
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Stephen Sutcliffe
Sutcliffe’s video work combines romanticism with the hard-edge of media manipulation.
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Tris Vonna-Michell
Vonna-Michell's performances and installations function as chapters within a non-linear story, combining personal myth with historical traces.
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Andy Wake
Working in a variety of media, including video, installation and performance, Andy Wake seeks to disrupt the observer's 'neutral' relationship to an artwork.
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Mark Aerial Waller
Films that move across science fiction, Greek tragedy and documentary, unveiling fantastical narratives.